Tuesday, February 24, 2015

87th Academy Awards Review

Like many people, I love the Academy Awards (also known as the Oscars). I don't always agree with them, but the real point isn't the awards. I don't think any nominees really care about winning either. The ceremony is about awareness, and bringing this awareness to not only the great movies, but everything that makes them great. Acting is a favorite, but makeup, costuming, editing, and even sound mixing. Not a lot of people consider these, but every movie requires them. Whoever wins doesn't really matter. I just hope people actually see the movies nominated, and are able to recognize the hard work in Hollywood to create these movies we love so much.
Major Winners:
Best Picture: Birdman
Best Director: Alejandro González Iñárritu- Birdman

Best Actor: Eddie Redmayne- The Theory of Everything
Best Actress: Julianne Moore- Still Alice
Best Supporting Actor: J.K. Simmons- Whiplash
Best Supporting Actress: Patricia Arquette- Boyhood
Best Original Screenplay: Birdman
Best Adapted Screenplay: The Imitation Game
Best Animated Feature: Big Hero 6
Best Original Song: "Glory"- Common & John Legend- Selma

Now my review of the telecast...

Neil Patrick Harris was a bad host. I love him, because I'm a huge How I Met Your Mother fan, so I really enjoy his style of humor. I really liked his opening number with Jack Black and Anna Kendrick. Seeing him show up in all the movies (especially in Ghost behind Demi Moore and Patrick Swayze on the pottery wheel!) really made me laugh. I really liked Anna Kendrick's reference to him getting his throat slit by Rosamund Pike in Gone Girl. I knew it was coming at some point, but it was still funny. I liked him going into the audience (channeling Ellen) and pointing out the seat fillers no one ever seems to talk about. I think his best moment was when he channeled Michael Keaton and came out in his underwear, as well as some J.K. Simmons and harped on Miles Teller, to parody two of t he nominees. I think he tried to connect, but there were some awkward moments (the American Sniper-Harvey Weinstein joke was in bad taste) and some horrible mispronunciations (David Oyelowo 3 TIMES) and when we come down to it, he didn't do that great. Ellen had her selfie that elevated the night, and Neil had his...predictions? That was the biggest disappointment of the night. I was expecting something great, and it ended up being really lame. Poor Octavia Spencer...she deserves better than to be involved with that. His jokes fell flat, he seemed like he was trying hard, but couldn't connect. Using "with her spoon" to introduce Reese Witherspoon is not funny. Nor is saying Documentary winner Citezenfour's subject Edward Snowden, "could not be here for treason." He tried, and I'll give him that. He also wasn't as bad as Anne Hathaway and James Franco. Horrible writing is probably to blame.
We saw some really great speeches from the winners. Patricia Arquette had a great bit at the end of her acceptance for Best Supporting Actress for Boyhood. She brought up that women aren't being paid as much as men, and while nobody talks about, she certainly wasn't going to let it go unsaid that night. Her speech brought an uproar to the crowd, with Meryl Streep standing up and pumping her fists, yelling "YES!" being the best of the reactions. Graham Moore won Best Adapted Screenplay for The Imitation Game, and he spoke out about how unfair it was that the film's subject Alan Turing, who committed suicide to escape persecution for being gay, which happened at the hands of the same government he worked for. Moore spoke about his own suicide attempt. He urged everybody who thinks they're different or weird to stay true to themselves, and to follow his example when they are up onstage one day and hopefully encourage someone else watching that they are perfect just the way they are. It was inspirational and definitely a highlight of the night. My favorite is Eddie Redmayne, who was just so giddy and excited (maybe terrified?) about his new Oscar he was all over the place. True surprises do happen, and it shows that the whole night isn't scripted.
Julianne Moore won her first Oscar for Still Alice. She was spectacular, and her speech was very touching. She didn't say a lot, but she spoke to both the illness she portrayed (Alzheimer's) and ALS, which the director of Still Alice is fighting. While some actors know they're going to win and are a little pretentious about it, she has seemed truly grateful for this opportunity all awards season. J.K. Simmons also won for Whiplash, and he urged everyone to go call their mothers and fathers. "Don't text." he said. He was obviously going to win, and he's such a nice guy. It's strange to see him so in character in the film, but that's why he was the clear choice!
Best Picture went to Birdman. If you remember from my picks, I picked Birdman to win. Sadly, I did not win my Oscar pool, my brother beat me by one point (that darn makeup...) but I correctly chose the biggest award of the night! I'm satisfied with it, because besides Selma, I think it's the best movie of the year. I knew Selma wouldn't get any love, but it did win for "Glory" which I'll touch upon next. Alejandro González Iñárritu won for Picture, Director, and Original Screenplay, and he was so humble. He made jokes about immigration and Mexico, all in good taste, and about his hard-to-hear accent. Michael Keaton was the best when accepting for Birdman, as he is the most genuine person in the whole show. He's just a regular guy. I wish he could have won, but eh, it doesn't detract from how great he was in the role of the lifetime he got for that movie.
Now onto the performances. Best of the night by a landslide, was Lady Gaga. Holy cow, I was so surprised! She did a tribute to The Sound of Music for its 50th Anniversary, and she brought the house down. If you think of how great Julie Andrews does in those songs, she was able to match Andrews' talent. Andrews also came out at the end to hug her and present the next award. John Legend and Common also performed "Glory" from Selma which was very emotional. Crying faces were seen all over the audience. "Everything Is Awesome" from The LEGO Movie was as awesome as expected, and the rest didn't really connect with me.
I'd also like to add that my personal favorite part was Idina Menzel and John Travolta's bit. Travolta horribly, horribly, horribly messed up her name when she performed (and later won for) "Let It Go" last year, calling her "Adele Dazeem". She introduced him as "Glom Gazingo" and he finally said her name, so we all know that he does know it. They were hilarious, and it was moments like these, of genuine humor, that really made the night. When celebrities played off of each other and genuinely "hung out" like regular people, it was nice to see. None of them seemed to want anything to do with Neil Patrick Harris.

So that's my review of the Academy Awards! Hope you enjoyed!

Sunday, February 22, 2015

2015 Academy Award Predictions


Best Picture
American Sniper
Birdman
Boyhood
The Grand Budapest Hotel
The Imitation Game
Selma
The Theory of Everything
Whiplash
For everyone who thinks American Sniper has it in the bag, sorry but you're wrong. It can win, but it's a stretch. For months, it's been a Boyhood vs. Birdman battle, and after the Golden Globes, The Grand Budapest Hotel joined them at the top. American Sniper is new, so everyone's flocking to it now, but these movies just have had so much time. It's why Selma is at a disadvantage because it came out so late. That movie in my opinion deserves to win. The Imitation Game and The Theory of Everything have better chances in other categories, and they'll fight for Best Adapted Screenplay. My pick is Birdman, because Hollywood loves to reward movies about the industry, and a movie hasn't captured Broadway like Birdman did. Don't be surprised if Boyhood or The Grand Budapest Hotel wins. It's a very tough call.

Will Win: Birdman
Could Win: Boyhood or The Grand Budapest Hotel 
Should Win: Selma


Best Director
Wes Anderson- The Grand Budapest Hotel
Alejandro González Iñárritu- Birdman 
Richard Linklater- Boyhood
Bennett Miller- Foxcatcher
Morten Tyldum- The Imitation Game
This became more interesting when Ava DuVernay got snubbed for Selma. I don't think this is Bennett Miller's best work, I much preferred Moneyball, so they won't give it to him for this. Tyldum is too much of an outsider. Wes Anderson deserves it, but it won't happen tonight. I think they'll honor both sides of the Birdman-Boyhood battle by splitting Picture and Director. I predicted Birdman would take Best Picture, I think Richard Linklater will win here. He directed actors for 12 years, and that's worth an Oscar.

Will Win: Richard Linklater- Boyhood
Could Win: Alejandro González Iñárritu- Birdman
Should Win: Richard Linklater- Boyhood


Best Actor
Steve Carell- Foxcatcher
Bradley Cooper- American Sniper
Benedict Cumberbatch- The Imitation Game
Michael Keaton- Birdman
Eddie Redmayne- The Theory of Everything
By far, this is the hardest acting category to predict. Steve Carell was amazing, but he's out. Too much heat is on everyone else, and he's become overshadowed. Bradley Cooper was outstanding as Chris Kyle in American Sniper and I know everybody wants him to win, but he won't. It's a three-way match that's slowly become a two horse race. Eddie Redmayne or Michael Keaton? Poor Benedict Cumberbatch has found himself stuck in the middle. Redmayne transformed so much for playing Stephen Hawking, but since I saw Birdman, I've been all for the Keaton renaissance. He's just so good, and he's changed his career and acknowledged his failure with this movie, that I feel like they will reward him. But it's definitely tricky.

Will Win: Michael Keaton- Birdman
Could Win: Eddie Redmayne- The Theory of Everything (but really anyone)
Should Win: Benedict Cumberbatch- The Imitation Game


Best Actress
Marion Cotillard- Two Days, One Night 
Felicity Jones- The Theory of Everything
Julianne Moore- Still Alice
Rosamund Pike- Gone Girl
Reese Witherspoon- Wild
Julianne Moore. This shouldn't be so easy to call, as all five women gave extraordinary performances. Marion Cotillard is stripped raw for Two Days, One Night, but it's a foreign film, and she already won before for La Vie en Rose back in 2007. Reese Witherspoon also won before for Walk the Line, so the two of them are likely out. Felicity Jones can't win. Rosamund Pike is mesmerizing as the cold and calculated wife in Gone Girl, but her role is too out-of-the-box for an Oscar. Too much blood, and far too disturbing a role. Watch her win an MTV Award for "Most WTF Movie Moment" but that's as far as she'll go. Moore conveys so many emotions in her performance as a woman with Alzheimer's, and she's never won with five previous nominations. It's finally her time, and she deserves it.

Will Win: Julianne Moore- Still Alice
Could Win: Rosamund Pike- Gone Girl
Should Win: Julianne Moore- Still Alice


Best Supporting Actor
Robert Duvall- The Judge
Ethan Hawke- Boyhood
Edward Norton- Birdman
Mark Ruffalo- Foxcatcher
J.K. Simmons- Whiplash
If you've seen Whiplash, you know that J.K. Simmons has this one in the bag. I mean, if anyone else wins, it'll probably be considered one of the biggest upsets in history. Simmons is so good as a ruthless teacher who will do anything to be able to say he produced one of the greats. As a second best, I put Edward Norton just because I want him to win. But it's Simmons' time. After decades of being the supporting man without a great role (including many Farmer's Insurance commercials) he finally got the role of a lifetime. He will be rewarded for it.

Will Win: J.K. Simmons- Whiplash
Could Win: Edward Norton- Birdman (but not really)
Should Win: J.K. Simmons- Whiplash


Best Supporting Actress
Patricia Arquette- Boyhood
Laura Dern- Wild 
Keira Knightley- The Imitation Game
Emma Stone- Birdman
Meryl Streep- Into the Woods
This is another strong category that's tough to pick from. My personal favorite is Emma Stone in Birdman, because she did so much by doing so little in that movie. Her performance was subtle, but it stuck with you. Laura Dern is incredible as the dead mother haunting her daughter in Wild, and Keira Knightley brings so much gravitas and charm to The Imitation Game. Meryl Streep was great in Into the Woods, but the mixed reception to the movie as well as the fact that she's won three times and been nominated nineteen times. Patricia Arquette however, will win, because of her commitment to her role (12 years!) and because she's just so great in Boyhood. Many women cover up their aging process, but she lets you see how she ages over the years, and her role as a strong mother who can't seem to escape abuse at the hand of her husband hit hard with many people, myself included

Will Win: Patricia Arquette- Boyhood
Could Win: Emma Stone- Birdman
Should Win: Emma Stone- Birdman


Best Original Screenplay
Birdman
Boyhood
Foxcatcher
The Grand Budapest Hotel
Nightcrawler
I'm taking a shot in the dark and saying Birdman, because I think Best Picture and Best Screenplay come hand in hand. Original Screenplay is script, characters, and story, and I believe Birdman has unforgettable characters, a wacky story, and great lines.

Will Win: Birdman
Could Win: The Grand Budapest Hotel or Boyhood
Should Win: The Grand Budapest Hotel


Best Adapted Screenplay
American Sniper
The Imitation Game
Inherent Vice
The Theory of Everything
Whiplash 
Again, Screenplay is script, characters, and story, but Adapted Screenplay is based off another medium. The Imitation Game will win for its incredible story, and its flawless conversion from the page to the screen.

Will Win: The Imitation Game
Could Win: The Theory of Everything
Should Win: The Imitation Game


Best Animated Feature
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of Princess Kaguya 
Well we all know The LEGO Movie deserves it. But it was snubbed. So the equally deserving How to Train Your Dragon 2 (which I forgot was so enjoyable) will win here. The first one deserved it, but lost to the equally inspiring Toy Story 3, and the sequel is just as good, if not better, than the first.

Will Win: How to Train Your Dragon 2
Could Win: Big Hero 6
Should Win: How to Train Your Dragon 2



Best Original Score
The Grand Budapest Hotel- Alexandre Desplat
The Imitation Game- Alexandre Desplat
Interstellar- Hans Zimmer
Mr. Turner- Gary Yershon
The Theory of Everything- Jóhann Jóhannsson
Alexandre Desplat (whoever that is?) will win tonight. He's been nominated over 10 times and has never won. Both his scores from The Imitation Game and The Grand Budapest Hotel are two of the years best, and while my favorite is the synthetic sounds for the former, the latter will win just because of how greatly it captures Budapest and the crazy setting of The Grand Budapest Hotel.

Will Win: The Grand Budapest Hotel- Alexandre Desplat
Could Win: The Imitation Game- Alexandre Desplat
Should Win: The Imitation Game- Alexandre Desplat


Best Original Song
"Everything is Awesome"- The LEGO Movie- Tegan & Sara with The Lonely Island
"Glory- Selma- Common & John Legend
"Grateful"- Beyond the Lights- Rita Ora
"I'm Not Gonna Miss You"- Glen Campbell: I'll Be Me- Glen Campbell
"Lost Stars"- Begin Again- Adam Levine

This is a no-brainer. After excluding Selma everywhere, even if they haven't heard the song the Academy has to redeem itself here. Plus "Glory" is just a phenomenal song that would have won anyways. I like "Everything is Awesome", but let's be serious. Best Song winner? Nope.
Will Win: "Glory"
Could Win: "Everything is Awesome" (but not really)
Should Win: "Glory"


Best Makeup and Hairstyling
Foxcatcher
The Grand Budapest Hotel
Guardians of the Galaxy
This category is impossible. I'm picking a random one. Foxcatcher has great prosthetics, but I don't think it will win because the makeup isn't complex enough. The Grand Budapest Hotel ages Tilda Swinton 40+ years and its makeup for her is incredibly complicated. But that's one character. Guardians of the Galaxy makes every character look incredible. At the end of the day, my pick only reveals that I know nothing about makeup and am not qualified to pick it.

Will Win: Guardians of the Galaxy
Could Win: Any of them
Should Win: Any of them


Best Costume Design
The Grand Budapest Hotel
Inherent Vice
Into the Woods
Maleficent
Mr. Turner
The Grand Budapest Hotel will win because nobody wants to reward Into the Woods because it was a bad movie, and that's how Oscar politics work. But it undoubtedly had the best costumes.

Will Win: The Grand Budapest Hotel
Could Win: Into the Woods
Should Win: Into the Woods


Best Set Design
The Grand Budapest Hotel
The Imitation Game
Interstellar
Into the Woods
Mr. Turner
The Grand Budapest Hotel relied on its setting. It's over-the-top, and extravagant, and even a little pretentious. But the whole movie is elevated by the beautiful settings, and they truly distinguish the movie from the rest of the pack.

Will Win: The Grand Budapest Hotel
Could Win: Into the Woods
Should Win: The Grand Budapest Hotel


Best Visual Effects
Captain America: The Winter Soldier
Dawn of the Planet of the Apes
Guardians of the Galaxy
Interstellar
X-Men: Days of Future Past
I want Dawn of the Planet of the Apes to win because it deserves it, and because I love that movie. But I think Interstellar had great effects too. I just wish I could remember a single thing from that movie. It didn't stick with me at all. I would even pick Guardians of the Galaxy over it, and that didn't bring anything new to the table.

Will Win: Interstellar
Could Win: Dawn of the Planet of the Apes
Should Win: Dawn of the Planet of the Apes 

Thursday, February 19, 2015

Still Alice Review

Starring: Julianne Moore, Alec Baldwin, Kristen Stewart, Kate Bosworth, Hunter Parrish
There's a scene in Still Alice, where Dr. Alice Howland and her husband go to a play starring her daughter. While Alice disagrees with her daughter's decision to pursue an acting career, she still supports her. After the play, the actors come out and Alice greets her daughter Lydia by saying she "empathized with her character" and she thought she was great. She then asks how long she's been working at the theater, and how long she'll stay. To which her other daughter replies: "This is your daughter, Mom, you remember?" Alice Howland has early-onset Alzheimer's disease. Few movies I've seen have been as scary as Still Alice. This is not your typical slasher flick. This is a real-life, brutal, horror story. It's the story of a renowned professor of linguistics whose life just slips away after her diagnosis with the rare form of Alzheimer's disease. Julianne Moore plays Alice with such fearless charisma, her turn for the worst is utterly heartbreaking to watch. Her ambitious self crumbles into a wreck who can't even recognize her own children.
For me, Still Alice brought me down really hard. I didn't cry as much as I thought I would. But when the credits rolled, I felt hit by a train. My whole body was weak, and my mind was racing. This movie makes you think, and throughout the movie, I considered the question I'm sure everyone else did. What if I had Alzheimer's? It's a ridiculous thought, as I'm only 17. But you cannot see this movie without thinking of 1000 different storylines of your own destruction at the hands of this disease. Questions popped in my head. What would my friends do? My brother? My kids? Who would take care of me? How could I stand to forget how I met my best friend, or the name of my firstborn, or even the words to my favorite song. Those priceless memories would slip one by one. Isn't that horrifying? Can this not qualify Still Alice as a real-life horror movie?
At one point in the movie, Alice tells her husband that she wishes she had cancer. Because everyone walks for cancer, and raises money while wearing ribbons, and she wouldn't be ashamed to have cancer. With early-onset Alzheimer's, she's alone, and embarrassed. Everyone has to pay her special attention, and she feels as if her life has become a circus, with her as the main event. If things weren't bad enough for Alice, she also has Familial Alzheimer's, which means she could have doomed all of her children to suffer her same fate. Still Alice is not afraid to "go there." It goes into territory that I didn't expect it to, dealing with all of the complex emotions she feels, including depression, anger, and regret. Julianne Moore gives an outstanding performance in the titular role. The Oscars are on Sunday, and don't be surprised if she walks away with the Best Actress award. Alec Baldwin plays her sometimes supportive husband, in another role that lets him be a jerk, but a sympathetic jerk. He does a good job though, as does the rest of the cast. Kate Bosworth was a standout for me, playing Alice's oldest daughter Anna. Sadly, her name is said by Alice in many different variarions, whether it be Anne, or Hannah, as her memory fades. Kristen Stewart plays her youngest daughter Lydia, who is (ironically) a failing actress who doesn't have a grip on reality. I think she did very well here, but I think she could have done a little more. Though now, I can no longer agree with anyone who says Kristen Stewart (of previous Twilight fame) is a terrible actress.
I think that Still Alice succeeds because it is able to reaffirm qualities of life. And that is memory. We're told sometimes to not dwell on the past, and look to the future. This movie tells a story of a woman losing her past, from the memories of her predeceased sister, to what happened just the day before. I'm not spoiling any of the suspenseful moments of the movie, but with her disease, she was guaranteed a long life, but living as a shell of her former self. I cannot say enough positive things about how great Julianne Moore was in this movie. She really is the "best" so if she doesn't win I'll be very surprised. At the end of the day I just can't seem to find anything wrong with Still Alice. It profoundly affected me, more than any movie in the last year has, which makes it worth the ticket.

Rating:

Saturday, February 14, 2015

Top 15 Best Movies of 2014

Finally, I've seen all the movies released in 2014. This includes every movie released from January 1 to December 31. Holdovers from 2013 do not count, and movies from 2014 released in January 2015, like American Sniper will be found in my list. My list is based off acting, technical categories, enjoyability, and overall movie quality. This was incredibly hard for me, because there were so many movies this year that brought something original to the table, and pushed boundaries. Links to my reviews are in the title if available. Here, without further ado, is my countdown.

HONORABLE MENTION: Neighbors
This is my honorable mention for enjoyability alone. Neighbors is the battle between a couple and their baby, and the frat house next door. I saw Neighbors in 2014 four times. I just ended up in a situation where this movie was playing, and I never objected to it. Yes it's raunchy, but it's hilarious. Plus it also has some heart to it, and it has a great message about growing old.

#15. Captain America: The Winter Soldier
This movie has lost a lot of my love, simply because I haven't seen it since it opened in April. But when I saw it, I was blown away by how serious a Marvel movie could get. This transcends the average superhero film, to become an espionage thriller about patriotism and the growing spy system in America. If I'd seen it recently, it'd probably be a lot higher. It's just a little faded in my memory.

#14. Wild
Wild is such a compelling story. Reese Witherspoon is at the top of her game in this movie, that tells the story of a woman hiking 1,100 miles to escape tragedy and redeem herself. It's a lot of following around one character, which is tedious to some, but it's a powerful movie nonetheless about dealing with life's struggles. The acting ability alone is strong enough to carry the movie.

#13. St. Vincent


St. Vincent genuinely surprised me. I didn't have huge expectations for this movie, but it was fantastic. I laughed, I cried, I got overwhelmed, and I felt triumph. That's what a good movie makes you feel. It's a little "softer" than a lot of the other movies released this year, but a movie you can't afford to miss if you want to see Bill Murray at the best of his dramatic and comedic talent.

#12. Whiplash
If you've paid any attention to awards, you know Whiplash. Actor J.K. Simmons has received virtually every award for his portrayal of an abusive music teacher with no boundaries. It's a great performance in a great movie. But this isn't for the faint of heart. It's tense, graphic, and uncomfortable at most times. It's appropriately titled, because you'll feel like you have whiplash while watching it from all of the sensory overload.

#11. American Sniper
For the people who are astounded this isn't higher on my list, I have reasons. A lot of people are championing American Sniper when they haven't seen every movie of the year. But American Sniper is an amazing movie, with great acting, scope, and a very difficult message. I'm happy so many people are talking about it because it's a movie every high school student should see. The horrors of war need to be shown to everybody so they understand what the military really does.

#10. Guardians of the Galaxy
This narrowly beat American Sniper for #10. I'm going by my experience, in a theater that roared every time Star-Lord, Gamora, Drax, Rocket, and Groot were onscreen. This movie has an incredible story, unforgettable characters, and a kooky plot that qualifies as action, sci-fi, satire, and superhero. I've seen it at least three times and I'd see it again. It's hilarious, it's serious, and it was the surprise hit of the year. This movie has everything going for it to becoming an iconic classic for years to come.

#9. The LEGO Movie
I knew I'd enjoy this movie when I walked in the theater, because I was a huge LEGO fan. I still have my LEGOs, all intact. I honestly thought it would be product placement. But this movie goes far and beyond product placement. It captures what it's like to play with these toys. By using animation (AND live action in one heartwarming scene), it conveys the LEGO company's message. Anyone can play with LEGOs, and anyone can be creative. It's so emotional, and so well done.

#8. X-Men: Days of Future Past
Hands down, the best superhero movie of the year. Sure, the Guardians were funny, and Cap was finally serious, but the X-Men beat all of them. Days of Future Past explains a timeline, in which Wolverine must go back in time to save the mutants from extinction, after a mutant responsible for JFK's death, and a scorned Mystique (Jennifer Lawrence) wreak havoc, and cause an anti-mutant movement. Set in the 60s, it perfectly parallels the civil rights and gay rights movements, but sets it to the X-Men's mutant timeline. It's painfully relevant, and the execution is incredible, right to the absolutely amazing ending, that perfectly ties up the past, present, and future timelines.

#7. Gone Girl
Gone Girl puts a modern marriage under a brutal microscope, by setting it to a scenario in which a woman disappears and her husband is suspected of her murder. Portraying lies, deception, and manipulation, Gone Girl gives an insight into two big lies of modern relationships. I'm unfaithful to you, and I'm not the person you've married. By now everyone knows which lie Ben Affleck's character is embodying, and which one his wife is, and while I won't discuss spoilers, it's pretty much common knowledge by now. We also get a powerhouse performance by Rosamund Pike, in a role that transforms her into the now iconic "ice queen" Amy Dunne. Boyfriends and husbands beware.

#6. Dawn of the Planet of the Apes
This was the first movie of 2014 to have me going back for seconds. With all the movies I see, it's pretty much a new one every weekend. But I put aside my plans to go see this movie again. It's incredible. I thought Rise of the Planet of the Apes was an amazing movie, but the sequel capitalizes and improves upon it on so many levels. The stakes are higher, the characters are more fleshed out, and the story is much tighter. Caesar is such a tragic character, and his name can no longer be a coincidence. In a movie with crazy apes all over the place, it's surprisingly poignant, and carries a strong message about identity, by displaying what's supposed to be our primitive relative becoming more advanced than we are.

#5. The Grand Budapest Hotel
The Grand Budapest Hotel came out all the way back in March. Yet here we are, almost a year later, and it's predicted to sweep the Oscars' technical categories, and maybe even win Best Picture. It's a whimsical, beautiful movie with a lot of heart and soul. If you can only watch movies with a straightforward beginning, middle, and end with formulaic storytelling, you probably won't be able to stand this movie. Told through four timelines, and tending to lead towards the comedic and ridiculous side, it's for the real cinema-lovers. Every shot is framed perfectly. Ralph Fiennes gives a terrific performance as the hotel concierge accused of murder, and every character is just as colorful as the backdrop. It's a truly fantastic achievement in filmmaking.

#4. The Imitation Game
Alan Turing's story has been criminally unwritten from history books. The Imitation Game hoped to finally get his story to the public, and it delivered. Turing and his team of mathematicians broke Enigma, the code all Nazis used for WWII communications, by building a computer. The script is tightly woven, with elements of war movies, espionage thrillers, and transcends your average biopic. Turing struggled with his sexuality, and the government is responsible for his horrible fate because it was illegal at the time. It's all handled respectfully, and Benedict Cumberbatch gives a powerhouse performance of a character both strong-willed and incredibly fragile at the same time. Keira Knightley and the rest of the stellar cast adds to this movie's great story of a great man. Most of the technology we have, even the kind used to make any of these movies wouldn't be possible if it wasn't for this man's creation.

#3. Boyhood
My Top 3 were very hard to choose from. My review of this Boyhood is still my most viewed one, and the one that started my love for writing reviews. Boyhood tells the 12 year story of a kid growing up in a broken home, torn between the influences of his two very different divorced parents. It's actually filmed over twelve years, and I believe this technique, unheard of until now, will win it Best Director at the Oscars for Richard Linklater. Patricia Arquette stuns as the supportive but lost mother, and Ethan Hawke is also good as the carefree father. It's Ellar Coltrane's performance as the boy, Mason, that the whole movie relies on. Here is a 6 year old who can actually act better than some adults working today. Every part of this movie is just the kind of thing movie fans like myself fall in love with. Great story, great acting, with a unique method of storytelling to make it like no other movie before it, and like no other you'll ever see.

#2. Birdman (Or the Unexpected Value of Ignorance)
Barely beating Boyhood is Birdman. Michael Keaton plays a washed-up actor known for playing an iconic superhero, whose life has turned to dirt. He's desperately trying to revive his career by directing, writing, and starring in a Broadway play, but his volatile druggie daughter and a method actor in his play threaten his comeback. The cast is top-notch, with Emma Stone, Edward Norton, Naomi Watts, Zach Galifianakis, and Amy Ryan appearing alongside Keaton. The best feature of this movie which has cinema-fans drooling is its one-shot camera technique. The entire movie is filmed with one camera take that the actors rehearsed over and over for 19 days. With such a fabulously flawed cast of characters, great direction from Alejandro Iñárritu, a killer script with memorable lines, and this truly magnificent camera shot, Birdman is the movie for movie lovers. It glances into the true downfalls of celebrity more than Gone Girl, Whiplash, or any other movie criticizing fame, and it's unforgiving. PTSD plays a huge part here as well, and everything is just so beautiful. It's a movie tailor-made for movie fanatics like me, especially because I'm a huge fan of superhero movies too.

#1. Selma
I wish Selma got the attention it deserves. Holy cow, this film is incredible on every level. David Oyelowo gives an inspired performance worthy of Martin Luther King Jr, Ava DuVernay directs and writes with such impeccable skill, the sets and cinematography are great to look at, and John Legend and Common's song "Glory" really is a masterpiece of music. Whether the Academy's racist or not is for a different time, because I'm focusing right now on why Selma should be celebrated. The message of the film goes beyond the film's 1960s setting and is reminiscent of today's struggle with racism in places like Ferguson. When "Glory" plays during the film's credits, and you see the fates of everyone involved with the Voting Rights Act, you will get chills. It's a great story that schools do not teach. I was learning when I was watching Selma, and I was greatly disturbed by what I saw. The fact that innocent people protesting peacefully were treated so horribly, even violently attacked and killed is shocking to say the very least. Lastly, this is not a movie about Dr. King. It's a movie about Selma, and the Voting Rights Act. He was just the man there at the right time. It never focuses on him, and it transcends your average historical film. Much like 12 Years a Slave last year, this is the movie that will stop you right in your tracks and make you think about what the past was, what our present is, and what our future could be like if we don't stand up and make a difference.


Wednesday, February 4, 2015

Best Male Performances of 2014



In this double feature, I will be counting down the best acting performances given by both male and female actors. They are separated by gender, because I really struggled to put a great male performance up against a great female performance and pick one over the other. So I have separated them, and below you will find the top ten performances given by actors, with one honorable mentions.

HONORABLE MENTION: Steve Carell- John du Pont- Foxcatcher
NOMINEE: ACADEMY AWARD FOR BEST ACTOR
Steve Carell is famous for being funny. He's hilarious in almost every movie he's in. I say almost, because in Foxcatcher, he's not funny. He's actually quite frightening. He's the disturbed millionaire coach who's obsessed with getting a gold medal, and obsessed with the two Olympic brothers who can get him it. It's a transformative role that has him the subject of universal praise. He doesn't even look like himself, with all the prosthetics he's wearing. And his body language speaks volumes.

Quote: "Coach is the father. Coach is the mentor. Coach has great power on an athlete's life."

#10. Andy Serkis- Caesar- Dawn of the Planet of the Apes
One day, in a perfect world, this guy will get nominated for an Oscar. Andy Serkis is known for playing Caesar in this series, as well as King Kong in King Kong and Gollum in The Lord of the Rings series. He's basically the motion-capture king. As Caesar, he elevates what he did in Rise of the Planet of the Apes by leaps and bounds. That movie saw Caesar finding out who he was, and dealing with his identity. Here, he's the fearless leader of the apes, who actually doesn't hate the humans. He wants them to respect his community, but he'll sacrifice to preserve the relationship with the apes, as well as with the species that raised him. It's such a complex performance that sadly was overlooked by awards circuits.

Quote: "Ape always seeks strongest branch."

#9. Bradley Cooper- Chris Kyle- American Sniper
NOMINEE: ACADEMY AWARD FOR BEST ACTOR
I'm a big fan of Bradley Cooper. He was a great comedic actor a couple years ago, but I've loved his transformation. This transformation into serious acting peaks with American Sniper, where he plays the troubled Navy SEAL Chris Kyle. Absent from many awards circuits this year, his Oscar nomination was a bit of a surprise. After seeing the movie, he deserves the nomination 100%. He's unrecognizable. He walks and talks just like Kyle, and takes on his persona with such ease, it's almost scary to watch, but Cooper is mesmerizing in every second he's onscreen.

Quote:  "Now I'm willing and able to...to be there, but I'm not. I'm here. I quit."

#8. Ralph Fiennes- Monsieur Gustave H.- The Grand Budapest Hotel
The Grand Budapest Hotel was released on March 28. That's a long time ago, and yet it's still in everyone's memory enough to win it the many accolades it has received. And the leading man in this movie is Ralph Fiennes as the legendary concierge Monsieur Gustave H. He's hilarious, he's witty, and he's got charm. He'll likely either be saying something ridiculous, or doing something ridiculous every second of screentime. But it's a surprisingly sophisticated role in a surprisingly sophisticated comedy. This is one of my favorite movies of the year, and this man makes the movie.

Quote: "Confused, indeed. The plot thickens, as they say. Why, by the way? Is it a soup metaphor?"


#7. David Oyelowo- Dr. Martin Luther King Jr.- Selma
As many people can guess, Selma kind of relies on David Oyelowo's performance. And holy cow, what a performance! This actor didn't get an Oscar nomination, which is robbery! How can Selma be nominated for Best Picture, when the man who made it work doesn't get nominated? Oyelowo is British, but you cannot tell. He takes on Dr. King's dialect and voice, so I wasn't even able to tell. I can't even picture this man being an actor, he just seems like Martin Luther King in every way possible. Selma would never be possible if it weren't for this man's tremendous skill.

Quote: "We will not wait any longer! We're not asking - we're demanding! Give us the vote!"

#6. Jake Gyllenhaal- Lou Bloom- Nightcrawler
This is by far, the most disturbing performance given by a male actor I saw this year. Jake Gyllenhaal just becomes this character. He's hardworking, and wants to see his name up in lights. And he's willing to do anything to get there, even blackmail his boss, and become a "nightcrawler" (a person who videotapes late-night crime scenes in a TMZ fashion). He blinks maybe three times the entire movie. I'm not even joking. He also smiles and gives out weird advice straight to the camera. It's pretty scary to watch him act. Despite what the name suggests, it's not a horror movie, but he is so scary.

Quote: "My motto is: If you want to win the lottery, you've got to make the money to buy a ticket."

#5. Mark Ruffalo- Dave Schultz- Foxcatcher
NOMINEE: ACADEMY AWARD FOR BEST SUPPORTING ACTOR
But isn't Steve Carell the revelation of Foxcatcher? I'd say it's evenly split. While Carell presents us with a transformative and creepy performance, he doesn't have a lot of screen time. Mark Ruffalo on the other hand, deserves more recognition for his role as wrestling champion Dave Schultz. He's the moral compass. He's the good guy in this horrifying true story. He transformed as well, looking and talking nothing like the same actor who we all know as the Hulk. I just wish more people focused on his role, because if you know what really happens, you know that his performance is key to the story.

Quote: "Mark...what's he get out of all this? Have you stopped and wondered? What does he gain?"

#4. Benedict Cumberbatch- Alan Turing- The Imitation Game
NOMINEE: ACADEMY AWARD FOR BEST ACTOR
This movie is almost just a showcase for Benedict Cumberbatch's acting skill. I say almost, because the movie is more than just an acting showcase. But for the acting part of it...WOW does Cumberbatch stun as Turing. Oppressed by society, shamed for his differences, but not willing to give up, Alan Turing is an incredible character. His struggle is what gives the movie its name, and it's truly sad to learn from the title credits at the film's close that such a brilliant and life-changing man did not get recognized like he should have. There are a lot of ways one could play the character, but Cumberbatch's comes off as respectful, as well as powerful.

Quote: " Do you know why people like violence? It is because it feels good. Humans find violence deeply satisfying. But remove the satisfaction, and the act becomes...hollow."

#3. Michael Keaton- Riggan Thomson/Birdman- Birdman
NOMINEE: ACADEMY AWARD FOR BEST ACTOR
I'm all for the Keaton renaissance. And I'm not actually even that big a fan of Tim Burton's Batman series, I much prefer Christopher Nolan's. I just love how he's re-invented his career with this one role. It pokes fun at his own life, while also displaying the stark truth of the industry, and I wouldn't be shocked to learn that the sadder parts of Riggan's life may be paralleled by Keaton's own life after Batman. With all these great actors, he's my favorite come Oscar night. I just fully appreciate an actor willing to change their career like he has here. I hope they think like I do.

Quote: "People, they love blood. They love action. Not this talky, depressing, philosophical bullsh*t."

#2. J.K. Simmons- Terence Fletcher- Whiplash
NOMINEE: ACADEMY AWARD FOR BEST SUPPORTING ACTOR
This is the man walking away with an Oscar. If he doesn't it will be a HUGE upset. Nobody in the whole awards show deserves it like he does (maybe the #1). He legitimately terrifies you as Terence Fletcher, the sadistic music instructor. Every time he gives a death glare, the whole audience tensed up in anticipation. You could never predict what this twisted man would do. What's even more baffling to me, is that in all of his acceptance speeches, Simmons is said to be a very nice guy. So his ability to become such a horribly evil person is the result of fantastic acting ability.

Quote: "There are no two words in the English language more harmful than good job."

 #1. Eddie Redmayne- Stephen Hawking- The Theory of Everything
NOMINEE: ACADEMY AWARD FOR BEST ACTOR
J.K. Simmons was pretty perfect, but there's one actor I feel beat him by a hair. And that's Eddie Redmayne's performance as Stephen Hawking. As Hawking, his physical acting speaks so much louder than his words. And that's not because Hawking is silent for a large part of the movie. Seeing Redmayne embody this man, and believably deteriorating into his horrific diagnosis of ALS is a marvel to watch. It's a rough movie. It's not easy seeing him become a shell of his former self. But I think it's one of the most compelling performances I've seen in recent memory, and that's why he's at the top. If you haven't seen the movie, see it as soon as its available. You won't be disappointed.

Quote: "However bad life may seem, there is always something you can do, and succeed at. While there is life, there is hope."